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Team Kinoki

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Team Kinoki
Two books with brown covers and the title Hindsights, Peng Zuqiang, with handwritten marks as part of the design.

Peng Zuqiang asks "What is a film without a camera?" and contemplates how artists and arts workers can resist exploitative ethics.

An open air screening for an audience in an archaic building, with a reddish-orange image of a dancer on screen.

Jean-François Chougnet and Rachel Korman speak about FUSO, the first festival dedicated to video art in Portugal, and the regional program FUSO Insular in the Azores.

Artists  | Jul 30, 2025
A woman with long dark brown hair, wearing a green and pink jacket, standing in a large service elevator painted blue.

A guide to the moving image artists that move culture → Rosa Barba engages with the medium of film from a sculptural perspective.

Three individuals dressed in black posing for a portrait on the steps of an ornate building.

The curators of the 13th Seoul Mediacity Biennale discuss their concept of exhibition as séance and why there need not be a distinction between art and life.

A man in profile, with curly blonde hair, short beard, glasses and wearing a collared blue shirt.

A guide to the moving image artists that move culture → Lawrence Abu Hamdan is a “Private Ear” who investigates audio testimonies and the politics of listening.

A dark and empty movie theater with plush red seats.

True/False Film Fest is offering a virtual residency for visual artists, culminating in an in-person exhibition. Deadline: September 15th, 2025.

An image of a women rendered with early computer plotting graphs, with shades of maroon, purple and green.

Elle Burchill and Andrea Monti, co-founders of Microscope Gallery in New York, speak about educating the art world on the value of the moving image and building systems of support for artists.

A Black man with glasses in a black t-shirt sitting in front of a 16mm projector.

A guide to the moving image artists that move culture → Kevin Jerome Everson sculpts reality and elevates the mundane in his lyrical 16mm films.

African protestors grouped around a masked man holding a wooden sign that reads WHERE IS THE BETTER LYF U PROMISED US?

Filmmaker and editor Aryan Kaganof ruminates on Antonin Artaud, the sound of language rotting and why he would be alive if he had no debt.

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