Content Paint

Interviews

Illuminating conversations with the visionaries shaping moving image art.

Katya Grokhovsky and Anna Mikaela Ekstrand lead the way with The Immigrant Artist Biennial

Grokhovsky and Ekstrand speak about the current edition of The Immigrant Artist Biennial and its focus on time-based art.

A gallery space featuring an installation composed of a tan wall with three window holes and glass surfaces hanging in front of it.

Robinson, Director of Shiva Gallery, speaks about the complexity of the immigrant experience and partnering with The Immigrant Artist Biennial.

An urban map under a plexiglass box, in a gallery space.

Gaby Wijers, Director of LI-MA, speaks about preservation as community practice and the future of the symposium Transformation Digital Art.

A 16mm film frame with a collage of artifacts and images of people embarking on a ship.

Maya Jeffereis on her efforts toward ecological darkroom practices and allowing plants to “speak” through film.

A South Asian individual with dark and short hair, circular glasses, and a black shirt with short sleeves, standing in front of a brightly-colored abstract geometric pattern.

Sharmistha Ray speaks about extending the spatial logic of paintings into time with their three-channel animation Emergent Realities.

A man wearing black pants and no shirt sits against a nondescript turquoise backdrop, his gaze focused on something beyond the camera.

Tenzin Phuntsog on being in deep time with his art and finding success when working without expectations.

A gallery view of an immense television with a broken screen that visitors walk through to access another gallery with monitors and tapestries.

Oliver Fuke from Goldsmiths Centre for Contemporary Art discusses the exhibition of work by the video collective Paper Tiger Television.

Three African men with their shirts off looking into a mirror while they work out with homemade weights.

Karimah Ashadu speaks about winning the Silver Lion in Venice and returning to her birthplace of London for her first solo exhibition in the UK.

Two books with brown covers and the title Hindsights, Peng Zuqiang, with handwritten marks as part of the design.

Peng Zuqiang asks "What is a film without a camera?" and contemplates how artists and arts workers can resist exploitative ethics.

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