Content Paint

Interviews

Illuminating conversations with the visionaries shaping moving image art.

Two books with brown covers and the title Hindsights, Peng Zuqiang, with handwritten marks as part of the design.

Peng Zuqiang asks "What is a film without a camera?" and contemplates how artists and arts workers can resist exploitative ethics.

An open air screening for an audience in an archaic building, with a reddish-orange image of a dancer on screen.

Jean-François Chougnet and Rachel Korman speak about FUSO, the first festival dedicated to video art in Portugal, and the regional program FUSO Insular in the Azores.

Three individuals dressed in black posing for a portrait on the steps of an ornate building.

The curators of the 13th Seoul Mediacity Biennale discuss their concept of exhibition as séance and why there need not be a distinction between art and life.

An image of a women rendered with early computer plotting graphs, with shades of maroon, purple and green.

Elle Burchill and Andrea Monti, co-founders of Microscope Gallery in New York, speak about educating the art world on the value of the moving image and building systems of support for artists.

African protestors grouped around a masked man holding a wooden sign that reads WHERE IS THE BETTER LYF U PROMISED US?

Filmmaker and editor Aryan Kaganof ruminates on Antonin Artaud, the sound of language rotting and why he would be alive if he had no debt.

An image in two halves, similar but with slight variations, with a woman in shadows holding film strips up to the light, and she is holding scissors in the second image.

Erika Balsom is a writer, curator and professor at King's College London. We interviewed her on publishing pocket-sized books, secret rules for selecting films, and masochism.

A woman sitting on a bed, combing her long black hair forward over her face.

Contemplate a horizon of possibilities with Saodat Ismailova as she discusses her new performance piece about an ancient walnut forest in Kyrgyzstan.

A black and white film frame with technical markings, a cross in the center of a circle.

Film artist Christopher Harris discusses his subversive approach to manipulating celluloid, challenging representations of Black people and redefining the boundaries of experimental cinema.

A collage featuring women in a factory, with fragments of newspaper text and hand-written text, and colorful hand-drawn patterns cascading from their heads and bodies.

Explore the intersection of art and politics with belit sağ, as they discuss how visual representations shape and are shaped by political violence, in this exclusive interview series on Kinoki.

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