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technology

CGI image of a woman with long curly hair and tan skin, her face being scanned and tagged by various lines and text boxes that mark and describe her features in a machine-readable manner.

In this large-scale exhibition artists grapple with the awesome capacities of AI. Including works by Hito Steyerl, Christian Marclay, Trevor Paglen and others.

Cinema in reverse, Anthony McCall in Lisbon

Neil Young reviews Rooms, McCall's first solo exhibition in Portugal, at Museum of Art, Architecture and Technology in Lisbon.

Diriyah Art Futures launches with a perspective on AI

DAF is the first regional hub dedicated to new media and digital art in the Middle East and North Africa. The inaugural exhibition is Art Must Be Artificial: Perspectives of AI in the Visual Arts.

Legacy Russell on code switching and Black computing

The award-winning writer and curator speaks about her groundbreaking exhibition on Black artists and digital practice. Code Switch is on view at the Schomburg Center in Harlem.

Dreaming of art and technology at Tate Modern

The show Electric Dreams explores how artists in the mid-twentieth century used machines and algorithms. Many of the works that will be on display are appearing in the UK for the first time.

The Kitchen is distributing Black data

Code Switch examines contributions by Black artists to new media art and digital practice. The exhibition will be presented at Schomburg Center and Museum of Contemporary Art Detroit.

REDCAT contemplates life with AI

The group exhibition All Watched Over by Machines of Loving Grace explores the integration of artificial intelligence into society. Part of the city-wide event PST ART in Los Angeles, organized by Getty.

Technological horror at Leeum Museum of Art

This edition of the Korean biennial Art Spectrum is titled Dream Screen. The show explores the proliferation of digital technologies and the uncanny feelings they induce.

A black and white checkerboard effect that looks to be folding in three dimensions.

The first major exhibition to provide a comprehensive overview of Op art and establish its ties with electronic media of the 1960s and 1970s. Featuring Bridget Riley, Carlos Cruz-Diez, Bill Viola and others.

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