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Team Kinoki

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Team Kinoki
A South Asian individual with dark and short hair, circular glasses, and a black shirt with short sleeves, standing in front of a brightly-colored abstract geometric pattern.

Sharmistha Ray speaks about extending the spatial logic of paintings into time with their three-channel animation Emergent Realities.

Artists  | May 06, 2026
A balding man with blue eyes and a thin beard, wearing a black shirt, standing in front of a painting that is out of focus in the distance.

The moving image artists that move culture → Trevor Paglen's photos, films and video installations expose hidden infrastructures.

A large, gray industrial building with a huge golden sign on the facade that reads Academy Museum, with a city street in front of it with cars and traffic signals.

A guide to the leading moving image art institutions in the world → The Academy Museum of Motion Pictures is the largest of its kind in the United States.

Artists  | Apr 03, 2026
An Asian man with black hair wearing circular glasses and a black shirt.

The moving image artists that move culture → Refik Anadol explores nature, memory, and data processing through human-machine collaboration.

A woman wearing black with long black hair looking at the camera, posing against an out of focus autumn background.

A guide to the moving image artists that move culture → Laura Huertas Millán makes ethnographic fictions that shift traditional film structures to decolonized cinematic spaces.

A man wearing black pants and no shirt sits against a nondescript turquoise backdrop, his gaze focused on something beyond the camera.

Tenzin Phuntsog on being in deep time with his art and finding success when working without expectations.

A 16mm film frame with a lush, colorful view of Indigenous dancers in elaborate dress.

A guide to the moving image artists that move culture → Colectivo Los Ingrávidos challenges the commercialization of creativity and the conventions of film production.

Resources  | Feb 16, 2026
An Amiga desktop computer from the 1980s sits on a table while people gathered around examine it.

The Commodore Amiga stood out for its tight coupling of hardware and software built specifically for real-time audiovisual work.

A gallery view of an immense television with a broken screen that visitors walk through to access another gallery with monitors and tapestries.

Oliver Fuke from Goldsmiths Centre for Contemporary Art discusses the exhibition of work by the video collective Paper Tiger Television.

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