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David Djordjevic

David Djordjevic's Work

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David Djordjevic
A drawing of a giant, red creature with green eyes and protruding long teeth, covered in billowing smoke.

The auction Anime Starts Here: Japanese Subculture Reimagines Tradition includes anime cels and manga drawings juxtaposed with classical works of visual art.

An elderly Black man with a full gray beard wearing a matching hat and sweater with beige and white patterns.

Ulysses Jenkins was a trailblazing figure in Black video art who began his career as a painter and muralist in Los Angeles in the 1970s.

A woman's face with her eyes closed, surrounded by large green tree leaves, with a root in her mouth.

The Swiss Institute is presenting the first solo exhibition by Ismailova in the United States. The show will travel to LUMA Arles and finishes at Kunsthalle Bern.

A translucent screen with colorful shapes projected on it, and behind it a modified analog film projector.

MAXXI, the National Museum of 21st Century Arts in Rome, is showing the retrospective, which covers over two decades of Barba's work in film, sculpture and writing.

A black and white image of a woman dressed in black sitting on a white horse holding a white flag, in an expansive field.

JSF announced the exhibition What a Wonderful World: An Audiovisual Poem at Variety Arts Theater in Los Angeles. The show brings together contemporary video works with seminal early films.

A large building with glass windows on a busy urban street, with the logo for School of the Art Institute of Chicago placed above the main entrance.

The School of the Art Institute of Chicago dismissed multiple staff members at Video Data Bank, including the director. The positions have been permanently eliminated.

The interior of a cinema with a large red triangle above the screen, red plush seats, a blue ceiling, and golden wall panels.

The new cinema in Museo Reina Sofía was designed by Bach Arquitectes. The layout is imbued with the atmospheric spirit of the great surrealist directors.

A black and white image of a Black woman holding a film strip in one hand, the other haid raised with palm up, and staring at something just off-camera.

The Recovery Plan is presenting a research exhibition on the pioneering filmmaker Sarah Maldoror, with a parallel film retrospective at Festival dei Popoli in Florence.

A man and a woman sitting in a work space filled with books, papers and ephemera.

Jacobs was described as the “eminence grise of the American avant garde.” He revolutionized film art in the 1960s with works like Blonde Cobra and Tom, Tom, the Piper's Son.

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