JSF announced the exhibition What a Wonderful World: An Audiovisual Poem at Variety Arts Theater in Los Angeles. The show brings together contemporary video works with seminal early films.

Centre d’Art Contemporain Genève and Kamel Lazaar Foundation have partnered to organize the 2026 edition of Biennale de l’Image en Mouvement in Tunis.

The School of the Art Institute of Chicago dismissed multiple staff members at Video Data Bank, including the director. The positions have been permanently eliminated.

The new cinema in Museo Reina Sofía was designed by Bach Arquitectes. The layout is imbued with the atmospheric spirit of the great surrealist directors.

The Recovery Plan is presenting a research exhibition on the pioneering filmmaker Sarah Maldoror, with a parallel film retrospective at Festival dei Popoli in Florence.

Lu Yang has two solo exhibitions open, at Museum of the Moving Image and Amant. The exhibition at Amant is the first institutional solo show by the artist in New York.

Jacobs was described as the “eminence grise of the American avant garde.” He revolutionized film art in the 1960s with works like Blonde Cobra and Tom, Tom, the Piper's Son.

The artist has two exhibitions opening this month in Belgium, at M HKA in Antwerp and NW in Aalst.

EAI is initiating a new season of programming with the video art of Shimizu. Organized in conjunction with the artist's solo exhibition of new paintings at 47 Canal.